Editing Wallace Stevens (section)

===Late 20th century===
After Stevens's death in 1955, the literary interpretation of his poetry and critical essays began to flourish with full-length books written about his poems by such prominent literary scholars as Vendler and [[Harold Bloom]]. Vendler's two books on Stevens's poetry distinguished his short poems and his long poems and suggested that they be considered under separate forms of literary interpretation and critique. Her studies of the longer poems are in her book ''On Extended Wings'' and lists Stevens's longer poems as including "[[The Comedian as the Letter C]]", "[[Sunday Morning (poem)|Sunday Morning]]", "Le Monocle de Mon Oncle", "Like Decorations in a Nigger Cemetery", "Owl's Clover", "[[The Man with the Blue Guitar]]", "Examination of the Hero in a Time of War", "Notes Toward a Supreme Fiction", "Esthetique du Mal", "Description without Place", "Credences of Summer", "The Auroras of Autumn", and his last and longest poem, "An Ordinary Evening in New Haven".<ref name="Vendler, Helen 1969, p. 13"/><ref>{{cite web | url=https://archive.nytimes.com/www.nytimes.com/books/98/11/01/specials/bloom-stevens.html | title=Notes Toward a Supreme Poetry }}</ref> Another full-length study of Stevens's poetry in the late 20th century is Daniel Fuchs's ''The Comic Spirit of Wallace Stevens''.<ref>{{cite journal | url=https://www.jstor.org/stable/41938383 | jstor=41938383 | last1=Philbrick | first1=Charles | title=Reviewed work: The Comic Spirit of Wallace Stevens, Daniel Fuchs | journal=Criticism | date=1965 | volume=7 | issue=1 | pages=112–114 }}</ref>