Editing The Jazz Singer (section)

==Legacy==
Three subsequent screen versions of ''The Jazz Singer'' have been produced: a [[The Jazz Singer (1952 film)|1952 remake]], starring [[Danny Thomas]] and [[Peggy Lee]];<ref>See Gabbard (1996), pp. 46–48.</ref> a [[The Jazz Singer (Ford Startime)|1959 television remake]], starring [[Jerry Lewis]]; and a [[The Jazz Singer (1980 film)|1980 remake]] starring [[Neil Diamond]], [[Lucie Arnaz]], and [[Laurence Olivier]].<ref>See Gabbard (1996), pp. 46–49.</ref> ''The Jazz Singer'' was adapted as a one-hour radio play on two broadcasts of [[Lux Radio Theatre]], both starring Al Jolson, reprising his screen role. The first aired August 10, 1936; the second, also starring [[Gail Patrick]], on June 2, 1947.<ref>Siegel & Siegel (2007), p. 195</ref>

Disney made reference to the film, and its follow-up ''[[The Singing Fool]]'', in the title of the 1929 Mickey Mouse short, ''The Jazz Fool''.<ref name=movies>{{cite book |last1=Grob |first1=Gijs |title=Mickey's Movies: The Theatrical Films of Mickey Mouse |date=2018 |publisher=Theme Park Press |chapter=The Jazz Fool |isbn=978-1683901235}}</ref>
''The Jazz Singer'' was parodied in the 1936 Warner Bros. cartoon ''[[I Love to Singa]]'', directed by [[Tex Avery]]. Its hero is "Owl Jolson", a young owl who croons popular ditties, such as the title song, against the wishes of his father, a classical music teacher.<ref>Gabbard (1996), pp. 49–50; Rogin (1998), pp. 3–4.</ref> Among the many references to ''The Jazz Singer'' in popular culture, perhaps the most significant is that of the [[MGM]] musical ''[[Singin' in the Rain]]'' (1952). The story, set in 1927, revolves around efforts to change a silent film production, ''The Dueling Cavalier'', into a talking picture in response to ''The Jazz Singer''{{'}}s success. At one point Donald O'Connor's character suggests a new name for the now-musical, "I've got it! 'The Dueling Mammy'." The plot of ''[[The Simpsons]]'' episode "[[Like Father, Like Clown]]" (1991) parallels the tale of Jakie Rabinowitz/Jack Robin.<ref>Gabbard (1996), p. 49.</ref> [[Krusty the Clown]]'s rabbi father disapproves of his son's choice to be a comedian, telling him, "You have brought shame on our family! Oh, if you were a musician or a jazz singer, this I could forgive."<ref>Stratton (2000), p. 282, n. 47.</ref>

According to film historian Krin Gabbard, ''The Jazz Singer'' "provides the basic narrative for the lives of jazz and popular musicians in the movies. If this argument means that sometime after 1959 the narrative must belong to pop rockers, it only proves the power of the original 1927 film to determine how Hollywood tells the stories of popular musicians."<ref>Gabbard (1996), p. 66.</ref> More broadly, he also suggests that this "seemingly unique film" has "become a paradigm for American success stories."<ref>Gabbard (1996), p. 63.</ref> More specifically, he examines a cycle of [[biopics]] of white jazz musicians stretching from ''[[Birth of the Blues]]'' (1941) to ''[[The Five Pennies]]'' (1959) that trace their roots to ''The Jazz Singer''.<ref>Gabbard (1996), p. 76.</ref>

In 1996, ''The Jazz Singer'' was selected for preservation in the [[National Film Registry]] of "culturally, historically or aesthetically significant" motion pictures.<ref>{{Cite web|title=Complete National Film Registry Listing |url=https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/|website=Library of Congress|access-date=May 1, 2020}}</ref> In 1998, the film was chosen in voting conducted by the [[American Film Institute]] as one of the best American films of all time, ranking at number ninety.<ref>{{cite web|url=https://www.afi.com/tvevents/100years/movies.aspx|title=AFI's 100 Years...100 Movies|publisher=American Film Institute|year=1998|access-date=August 3, 2007|archive-url=https://web.archive.org/web/20070711032427/http://www.afi.com/tvevents/100years/movies.aspx|archive-date=July 11, 2007|url-status=dead}}</ref> In 2007, a three-disc deluxe [[DVD-Video|DVD]] edition of the film was released. The supplemental material includes Jolson's Vitaphone short, ''[[A Plantation Act]]'' (1926).

The phrase said by Al Jolson, "Wait a minute, wait a minute. You ain't heard nothin' yet!" was voted as the 71st best quote by the [[AFI's 100 Years...100 Movie Quotes|American Film Institute]].