Editing Palatino (section)

===Digitisations===
[[File:Stempel_Palatino_family_specimen.jpg|thumb|right|A 1953 specimen of Palatino's "extended family", showing the range of fonts Stempel considered complementary to it. Many have little to do with Palatino itself.{{efn|Those listed are Palatino in roman, italic with swash capitals, small caps and bold, Michaelangelo, Sistina, the Greek titling Phidias (complementary in weight to Michaelangelo), Aldus and the Greek face Heraklit (shown only at text size) and the stylistically unrelated display face Kompakt ('a strong brother-in-law'), the scripts Virtuosa and Frederika, the decorated Saphir and the blackletter Gilgenart.<ref name="From Condensed Light to Extended Ultra" />}}<ref name="From Condensed Light to Extended Ultra" />]]
[[File:Palatino specimen sheet.jpg|thumb|The roman form of Palatino from an American metal type specimen sheet. This design shows the alternate characters used on later releases.<ref name="Lawson1990" />]]
Palatino's early digitisation intended for PostScript use is very widely used or cloned. Later Palatino digitisations have different features and spacing. In 1999, Zapf revised Palatino for Linotype and [[Microsoft]], called [[#Palatino Linotype|Palatino Linotype]]. The revised family incorporated extended [[Latin alphabet|Latin]], [[Greek alphabet|Greek]], and [[Cyrillic script|Cyrillic]] character sets. Linotype released a more complex redesign named Palatino Nova, together with digitisations of some of Zapf's other Renaissance-inspired designs and Aldus. Zapf also created a matching Palatino Sans and Palatino Sans Informal design in 2006.<ref name="Palatino Sans specimen">{{cite web|title=The New Palatino Sans: A supplement to Palatino Nova designed by Hermann Zapf|url=http://www.linotype.co.jp/linotype%20volumes/Palatino%20Sans%20Brochure.pdf|publisher=Linotype|access-date=26 March 2016}}</ref>