Editing Nicholas Hawksmoor (section)

==Hawksmoor in modern literature==
Hawksmoor's architecture has influenced several poets and authors of the twentieth century. His church [[St Mary Woolnoth]] is mentioned in [[T. S. Eliot]]'s poem ''[[The Waste Land]]'' (1922).

Algernon Stitch lived in a "superb creation by Nicholas Hawksmoor" in London in the novel ''[[Scoop (novel)|Scoop]]'' by [[Evelyn Waugh]] (1938).

Hawksmoor is the subject of a poem by [[Iain Sinclair]] called 'Nicholas Hawksmoor: His Churches' which appeared in Sinclair's collection of poems ''Lud Heat'' (1975). Sinclair promoted the poetic interpretation of the architect's singular style of architectural composition that Hawksmoor's churches formed a pattern consistent with the forms of [[Theistic Satanism]] though there is no documentary or historic evidence for this. This idea was, however, embellished by [[Peter Ackroyd]] in his novel ''[[Hawksmoor (novel)|Hawksmoor]]'' (1985): the historical Hawksmoor is refigured as the fictional Devil-worshipper Nicholas Dyer, while the eponymous Hawksmoor is a twentieth-century detective charged with investigating a series of murders perpetrated on Dyer's (Hawksmoor's) churches.

Both Sinclair and Ackroyd's ideas in turn were further developed by [[Alan Moore]] and [[Eddie Campbell]] in their [[graphic novel]], ''[[From Hell]]'', which speculated that [[Jack the Ripper]] used Hawksmoor's buildings as part of [[ritual magic]], with his victims as [[human sacrifice]]. In the appendix, Moore revealed that he had met and spoken with Sinclair on numerous occasions while developing the core ideas of the book. The argument includes the idea that the locations of the churches form a [[pentagram]] with ritual significance.