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==Further reading== * Anderson, Michael Alan. ''St. Anne in Renaissance Music: Devotion and Politics.'' Cambridge: Cambridge University Press, 2014. * Cumming, Julie E. ''The Motet in the Age of Dufay.'' Cambridge: Cambridge University Press, 1999. * Favier, Thierry, ''Le Motet à grand chœur (1660–1792): Gloria in Gallia Deo.'' Paris: Fayard, 2009. * Fitch, Fabrice, ''Renaissance Polyphony.'' Cambridge: Cambridge University Press, 2020. *{{wikicite|ref=<!--{{harvid|Hartt|2018}}-->|reference=Hartt, Jared C., ed., ''A Critical Companion to Medieval Motets''. Woodbridge: Boydell, 2018. {{ISBN|978-1-78327-307-2}}.}} * Lincoln, Harry B. ''The Latin Motet: Indexes to Printed Collections, 1500–1600'' Institute of Medieval Music, 1993. * Melamed, Daniel R., ''J. S. Bach and the German Motet.'' Cambridge: Cambridge University Press, 1995. * Nosow, Robert, ''Ritual Meanings in the Fifteenth-Century Motet.'' Cambridge: Cambridge University Press, 2012. * Pesce, Dolores, ed., ''Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance''. Oxford: Oxford University Press, 1997. * Rice, John A., ''Saint Cecilia in the Renaissance: The Emergence of a Musical Icon'' Chicago: University of Chicago Press, 2022. * Rodríguez-Garcia, Esperanza, and Daniele V. Filippi, eds, ''Mapping the Motet in the Post-Tridentine Era.'' Abingdon: Routledge, 2019 * Schmidt, Thomas, ''The Motet around 1500: On the Relationship between Imitation and Text Treatment.'' Turnhout: Brepols, 2012. * Zazulia, Emily, ''Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing.'' New York: Oxford University Press, 2021 * Zayaruznaya, Anna, ''The Monstrous New Art: Divided Forms in the Late Medieval Motet.'' Cambridge: Cambridge University Press, 2015.
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