Editing Gian Lorenzo Bernini (section)

===Personal residences===
During his lifetime Bernini lived in various residences throughout the city: principal among them, a palazzo right across from Santa Maria Maggiore and still extant at Via Liberiana 24, while his father was still alive; after his father died in 1629, Bernini moved the clan to the long-ago-demolished Santa Marta neighbourhood behind the apse of St. Peter's Basilica, which afforded him more convenient access to the Vatican Foundry and to his working studio also on the Vatican site. In 1639, Bernini bought property on the corner of the Via della Mercede and the Via del [[Collegio di Propaganda Fide]] in Rome. This gave him the distinction of being only one of two artists (the other is [[Pietro da Cortona]]) to be the proprietor of his own large palatial (though not sumptuous) residence, furnished as well with its own water supply. Bernini refurbished and expanded the existing palazzo on the Via della Mercede site, at what are now Nos. 11 and 12. (The building is sometimes referred to as "Palazzo Bernini", but that title more properly pertains to the Bernini family's later and larger home on Via del Corso, to which they moved in the early nineteenth century, now known as the Palazzo Manfroni-Bernini.) Bernini lived at No. 11 (extensively remodelled in the 19th century), where his working studio was located, as well as a large collection of works of art, his own and those of other artists.<ref>For the artists on display in Casa Bernini according to the post-mortem inventory of his household possessions, complied January 1681, see Franco Mormando, "Bernini's painting collection: A reconstructed catalogue raisonné, ''Journal of the History of Collections,'' 34.1 (March 2022): 33–50.</ref>

It is imagined that it must have been galling for Bernini to witness through the windows of his dwelling the construction of the tower and dome of [[Sant'Andrea delle Fratte]] by his rival, Borromini and also the demolition of the chapel that he, Bernini, had designed at the Collegio di Propaganda Fide, which was later replaced by Borromini's chapel in 1660 (because the Collegio required a much larger chapel), but there is no documentation of this belief.<ref>Blunt, Anthony. ''Guide to Baroque Rome'', Granada, 1982, p. 166 for this legend. For circumstances requiring the demolition of Bernini's chapel, see Domenico Bernini, ''Life of Gian Lorenzo Bernini'', 2011, Mormando's n. 16, p. 332.</ref> The construction of Sant'Andrea, however, was completed by Bernini's close disciple, [[Mattia de Rossi]] and it contains (to this day) the marble originals of two of Bernini's own angels executed by the master for the Ponte Sant'Angelo.