Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Documentary film
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
=== 1930s–1940s === The propagandist tradition consists of films made with the explicit purpose of persuading an audience of a point. One of the most celebrated and controversial [[propaganda film]]s is [[Leni Riefenstahl]]'s film ''[[Triumph of the Will]]'' (1935), which chronicled the 1934 [[Nuremberg Rally|Nazi Party Congress]] and was commissioned by [[Adolf Hitler]]. Leftist filmmakers [[Joris Ivens]] and [[Henri Storck]] directed ''[[Misère au Borinage|Borinage]]'' (1931) about the Belgian coal mining region. [[Luis Buñuel]] directed a "[[surrealism|surrealist]]" documentary ''[[Land Without Bread|Las Hurdes]]'' (1933). [[Pare Lorentz]]'s ''[[The Plow That Broke the Plains]]'' (1936) and ''[[The River (1938 film)|The River]]'' (1938) and [[Willard Van Dyke]]'s ''[[The City (1939 film)|The City]]'' (1939) are notable [[New Deal]] productions, each presenting complex combinations of social and ecological awareness, government propaganda, and leftist viewpoints. [[Frank Capra]]'s ''[[Why We Fight]]'' (1942–1944) series was a newsreel series in the United States, commissioned by the government to convince the U.S. public that it was time to go to war. [[Constance Bennett]] and her husband [[Henri de la Falaise]] produced two feature-length documentaries, ''[[Legong: Dance of the Virgins]]'' (1935) filmed in [[Bali]], and ''Kilou the Killer Tiger'' (1936) filmed in [[Indochina]]. In Canada, the [[National Film Board of Canada|Film Board]], set up by John Grierson, was set up for the same propaganda reasons. It also created newsreels that were seen by their national governments as legitimate counter-propaganda to the psychological warfare of [[Nazi]] Germany orchestrated by [[Joseph Goebbels]]. [[File:Basil Wright, Joris Ivens, Elmar Klos i Jerzy Toeplitz - Film nr 55-56 - 1948-12-23.JPG|thumb|Conference of "World Union of documentary films" in 1948 Warsaw featured famous directors of the era: [[Basil Wright]] (on the left), [[Elmar Klos]], [[Joris Ivens]] (2nd from the right), and [[Jerzy Toeplitz]].]] In Britain, a number of different filmmakers came together under John Grierson. They became known as the [[Documentary Film Movement]]. Grierson, [[Alberto Cavalcanti]], [[Harry Watt (director)|Harry Watt]], [[Basil Wright]], and [[Humphrey Jennings]] amongst others succeeded in blending propaganda, information, and education with a more poetic aesthetic approach to documentary. Examples of their work include ''Drifters'' (John Grierson), ''[[Song of Ceylon]]'' (Basil Wright), ''[[Fires Were Started]]'', and ''[[A Diary for Timothy]]'' (Humphrey Jennings). Their work involved poets such as [[W. H. Auden]], composers such as [[Benjamin Britten]], and writers such as [[J. B. Priestley]]. Among the best known films of the movement are ''[[Night Mail]]'' and ''[[Coal Face]]''. ''Calling Mr. Smith'' (1943) is an anti-Nazi color film<ref>{{cite web|url=https://lux.org.uk/work/calling-mr-smith1|title=Calling Mr. Smith – LUX|website=lux.org.uk|access-date=25 April 2018|url-status=live|archive-url=https://web.archive.org/web/20180425234317/https://lux.org.uk/work/calling-mr-smith1|archive-date=25 April 2018}}</ref><ref>{{cite web|url=https://www.centrepompidou.fr/cpv/resource/cAXbMp/rqGRLe9|title=Calling Mr Smith – Centre Pompidou|website=centrepompidou.fr|access-date=25 April 2018|url-status=live|archive-url=https://web.archive.org/web/20180131024033/https://www.centrepompidou.fr/cpv/resource/cAXbMp/rqGRLe9|archive-date=31 January 2018}}</ref><ref>{{cite web|url=http://artincinema.com/franciszka-and-stefan-themerson-calling-mr-smith-1943/|title=Franciszka and Stefan Themerson: Calling Mr. Smith (1943) – artincinema|date=21 June 2015|website=artincinema.com|access-date=25 April 2018|url-status=live|archive-url=https://web.archive.org/web/20180131024247/http://artincinema.com/franciszka-and-stefan-themerson-calling-mr-smith-1943/|archive-date=31 January 2018}}</ref> created by [[Stefan Themerson]] which is both a documentary and an avant-garde film against war. It was one of the first anti-Nazi films in history.{{Citation needed|date=March 2023}}
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Documentary film
(section)
Add topic