Editing Chris Marker (section)

===Film collaborations===
*''[[Night and Fog (1955 film)|Nuit et Brouillard]]'' (Resnais 1955)
**Note: In a 1995 interview Resnais states that the final version of the commentary was a collaboration between Marker and Jean Cayrol (source: ''Film Comment'').
*''Toute la mémoire du monde'' (Resnais 1956)
**Note: Credited as "Chris and Magic Marker."<ref name="worldcat_org">{{Cite book|last=Lupton, Catherine.|url=https://www.worldcat.org/oclc/56647183|title=Chris Marker : memories of the future|date=2005|publisher=Reaktion Books|isbn=1-86189-223-3|location=London|pages=249|oclc=56647183}}</ref>
*''Les hommes de la baleine'' (Ruspoli 1956)
**Note: under the pseudonym "Jacopo Berenizi" Marker wrote the commentary for this short about whale hunters in the Azores. The two would return to this topic in 1972's Vive la Baleine (''Film Comment'').
*''Broadway by Light'' (Klein 1957)
**Note: Marker wrote the introductory text to this film.<ref name="worldcat_org" />
*''Le mystere de l'atelier quinze'' (Resnais et Heinrich 1957)
**Note: Marker wrote the commentary for this fictional short (''Film Comment'').
*''Le Siècle a soif'' (Vogel 1958)
**Note: Marker wrote and spoke all the commentary for this short film about fruit juice in Alexandrine verse (''Film Comment'').
*''La Mer et les jours'' (Vogel et Kaminker 1958)
**Note: Marker present commentary for this "somber work about the daily lives of fishermen on Brittany's Île de Sein" (''Film Comment'').
*''[[L'Amérique insolite]]'' (Reichenbach 1958)
**Note: Marker was eventually credited as a writer for this one, apparently, he wrote the dialogue (''Film Comment'').
*''Django Reinhardt'' (Paviot 1959)
**Note: Marker narrated this one (''Film Comment'').
*''Jouer à Paris'' (Varlin 1962)
**Note: This was edited by Marker{{spaced ndash}} essentially, this film is a 27-minute postscript to ''Le Joli Mai'' assembled from leftover footage and organized around a new commentary (''Film Comment'').
*''A Valparaiso'' (Ivens 1963)
**Note: This gem was written by Marker. It feels like a Marker film.
*''Les Chemins de la fortune'' (Kassovitz 1964)
**Note: Marker apparently helped edit and organise this Venezuela travelogue (''Film Comment'').
*''La Douceur du village'' (Reichenbach 1964)
**Note: Edited by Marker.
*''La Brûlure de mille soleils'' (Kast 1964)
**Note: Marker edited this (mostly) animated science-fiction existentialist short and (possibly) collaborated on the script (''Film Comment'').
*''[[Le volcan interdit]]'' (Tazieff 1966)
**Note: Marker narrates this volcano documentary.
*''Europort-Rotterdam'' (Ivens 1966)
**Note: Marker did the textual adaptation (Film Comment.
*''On vous parle de Flins'' (Devart 1970)
**Note: Marker helped film and edit this short (Film Comment).
*''L'Afrique express'' (Tessier et Lang 1970)
**Note: Marker wrote the introductory text for this film under the name "Boris Villeneuve" (''Film Comment'').
*''Congo Oyé (We Have Come Back)'' (Stephens and Cleaver 1971)
**Note: Marker edited this film<ref>{{Cite web |last=Stéphane |first=Vitali |title=chris marker filmographie |url=http://chrismarker.ch/participations-diverses-de-chris-marker-a-des-films-dautres-realisateurs.html |access-date=2024-04-25 |website=chrismarker.ch |language=fr}}</ref>
*''Kashima Paradise'' (Le Masson et Deswarte 1974)
**Note: Marker collaborated on the commentary on this documentary about the destruction of Kashima and Narita (Film Comment).
*''La Batalla de Chile'' (Guzman, 1975–1976)
**Note: Marker helped produce and contributed to the screenplay for this, perhaps the greatest of all documentary films (''Film Comment'').
*''One Sister and Many Brothers'' (Makavejev 1994)
**Note: Marker tapes Makavejev circulating among the guests of a party in his honor as much jovial backslapping abounds (''Film comment'').