Editing Thomas Middleton (section)

==Life==
Middleton was born in London and baptised on 18 April 1580. He was the son of a bricklayer, who had raised himself to the status of a gentleman and owned property adjoining the [[Curtain Theatre]] in Shoreditch. Middleton was five when his father died and his mother's subsequent remarriage dissolved into a 15-year battle over the inheritance of Thomas and his younger sister – an experience that informed him about the legal system and may have incited his repeated satire against the legal profession.

Middleton attended [[The Queen's College, Oxford]], [[Matriculation|matriculating]] in 1598, but he did not graduate. Before he left Oxford sometime in 1600 or 1601,<ref>Mark Eccles, "Thomas Middleton a Poett", ''Studies in Philology'' 54 (1957), p. 525.</ref> he wrote and published three long poems in popular Elizabethan styles. None of them appears to have been especially successful, and one, ''[[Microcynicon: Six Snarling Satires]]'', ran foul of an [[Anglicanism|Anglican church]] ban on verse satire and was burned. Nevertheless, his literary career was launched.

In the early 17th century, Middleton made a living writing topical pamphlets, including one – ''Penniless Parliament of Threadbare Poets'' – that was reprinted several times and became the subject of a parliamentary inquiry. At the same time, records in the diary of [[Philip Henslowe]] show that Middleton was writing for the [[Admiral's Men]]. Unlike Shakespeare, Middleton remained a free agent, able to write for whichever company hired him. His early dramatic career was marked by controversy. His friendship with [[Thomas Dekker (poet)|Thomas Dekker]] brought him into conflict with [[Ben Jonson]] and [[George Chapman]] in the [[War of the Theatres]].{{cn|date=August 2023}} The grudge against Jonson continued as late as 1626, when Jonson's play ''The Staple of News'' indulges in a slur on Middleton's great success, ''A Game at Chess''.<ref>{{Cite web |title=News |website=Hollowaypages.com |url=http://hollowaypages.com/jonson1692news.htm}}</ref> It has been argued that Middleton's ''Inner Temple Masque'' (1619) sneers at Jonson (then absent in [[Scotland]]) as a "silenced bricklayer".<ref>{{Cite journal |last1=Limon |first1=Jerzey |year=1994 |title=A Silenc'st Bricklayer |journal=Notes and Queries |volume=41 |page=512|doi=10.1093/nq/41-4-512}}</ref>

In 1603, Middleton married. In the same year an outbreak of the [[bubonic plague|plague]] forced the London theatres to close, while [[James I of England|James I]] came to the English throne. These events marked the beginning of Middleton's greatest period as a playwright. Having passed the time during the plague composing prose pamphlets (including a continuation of [[Thomas Nashe]]'s ''[[Pierce Penniless]]''), he returned to drama with great energy, producing almost a score of plays for several companies and in several genres, notably [[city comedy]] and [[revenge tragedy]]. He continued to collaborate with Dekker: the two produced ''[[The Roaring Girl]]'', a biography of the contemporary thief [[Mary Frith]].

In the 1610s, Middleton began a fruitful collaboration with the actor [[William Rowley]], producing ''[[Wit at Several Weapons]]'' and ''[[A Fair Quarrel]]''. Working alone in 1613, Middleton produced a comic masterpiece: ''[[A Chaste Maid in Cheapside]]''. He also became increasingly involved with civic pageants, and in 1620 became officially appointed as chronologist to the [[City of London]], a post he held until his death in 1627, when it passed to Jonson.

Such official duties did not interrupt Middleton's dramatic writing; the 1620s saw the production of his and Rowley's tragedy ''[[The Changeling (play)|The Changeling]]'', and of several tragicomedies. In 1624, he reached a peak of notoriety when his dramatic [[allegory]] ''[[A Game at Chess]]'' was staged by the [[King's Men (playing company)|King's Men]]. The play used the [[conceit]] of a chess game to present and satirise the recent intrigues surrounding the [[Spanish Match]]. Though Middleton's approach was strongly patriotic, the [[Privy Council]] silenced the play after nine performances, having received a complaint from the Spanish Ambassador. Middleton faced an unknown, probably frightening degree of punishment. Since no play later than ''A Game at Chess'' is recorded, it has been suggested that the sentence included a ban on writing for the stage.