Editing Teichoscopy (section)

==Analysis==
According to Maria C. Pantelia, Helen becomes the 'author' of a catalog when she describes for Priam the qualities of the most important Greek warriors.<ref>[http://muse.jhu.edu/journals/transactions_of_the_american_philological_association/v132/132.1pantelia.html Pantelia, Maria C. "Helen and the Last Song for Hector". ''Transactions of the American Philological Association'' 132.1-2 (2002) 21–27]</ref> It has been suggested that the teichoscopy, as well as the duel between [[Paris (mythology)|Paris]] and [[Menelaus]], would have more likely occurred at the beginning of the war rather than during its tenth year.<ref>{{Cite web |title=Barron's BookNotes for The Iliad |url=http://www.pinkmonkey.com/booknotes/barrons/iliad3.asp |access-date=2023-03-07 |website=PinkMonkey.com}}</ref> However, although [[Homer]] is not at the beginning of the [[Trojan War]], he is at the beginning of the poem and therefore uses the teichoscopia as a poetic structure that provides information and suspense important for the remainder of the play and the duel to come.

Although teichoscopy can be viewed as simply a vignette that surveys the major Greek warriors, it has been suggested that Homer is also trying to reveal something about Helen. Helen's open admiration of both the Greek and [[Troy|Trojan]] warriors is viewed as ironic, as it seems odd that the major cause of a war that has brought devastation to the Trojans should praise the enemy. However, by doing this, Homer is, according to Frederic Will, “insisting on the importance, and centrality, of Helen’s viewpoint.  He is integrating a traditional form artistically.”<ref>[https://www.jstor.org/stable/3294564 "Remarks on Counterpoint Characterization in Euripides".  Frederic Will.  ''The Classical Journal'', Vol. 55, No. 8. (May, 1960), pp. 338–344.]</ref>

The main object of teichoscopy is the synchronous discussion of events, as opposed to events being reported later by messengers or other eyewitnesses. It is a well-established technique in [[dramaturgy]]. For example, teichoscopeia is a key device in the drama "Penthesilea" by [[Heinrich von Kleist]]. At the time of writing (1808) the work was considered unsuitable for stage production because of the unusually high frequency of teichoscopic events, and the first stage production was not undertaken until half a century later. However, in the twentieth century further stage productions as well as opera, radio and film versions followed (cf. [[Penthesilea (Kleist)]]).