Editing Peter Altenberg (section)

==Biography==
He was born Richard Engländer on 9 March 1859 in Vienna into a [[Jews|Jewish]] family.<ref name=Routledge>{{Cite web |title=Altenberg, Peter (1859–1919) - Routledge Encyclopedia of Modernism |url=https://www.rem.routledge.com/articles/altenberg-peter-1859-1919 |access-date=2023-09-23 |website=www.rem.routledge.com |language=en}}</ref>  The nom de plume, "Altenberg", came from a small town on the [[Danube]] river.  Allegedly, he chose the "Peter" to honor a young girl whom he remembered as an unrequited love (it had been her nickname).  Although he grew up in a middle class [[Jewish]] family, Altenberg eventually separated himself from his family of origin by dropping out of both law and medical school, and embracing [[Bohemianism]] as a permanent [[lifestyle (sociology)|lifestyle]] choice.  He cultivated a feminine appearance and feminine handwriting, wore a cape, sandals and a broad-brimmed hat, and despised 'macho' masculinity.

Discovered by [[Arthur Schnitzler]] in 1894 and appreciated by [[Hugo von Hofmannsthal]] and [[Karl Kraus (writer)|Karl Kraus]], Altenberg was one of the main proponents of Viennese Impressionism. He was a master of short, aphoristic stories based on close observation of everyday life events. After reading Altenberg's first published collection ''Wie ich es sehe'' (1896) Hofmannsthal wrote: "Even though entirely unconcerned with things important, the book has such a good conscience that one can immediately see that it cannot possibly be a German book. It is truly Viennese. It flaunts it – its origin – as it flaunts its attitude."

At the [[fin de siècle]], when Vienna was a major crucible and center for modern arts and culture, Altenberg was a very influential part of a literary and artistic movement known as Jung-Wien ([[Young Vienna]]). Altenberg was a contemporary of [[Karl Kraus (writer)|Karl Kraus]], [[Gustav Mahler]], [[Arthur Schnitzler]], [[Gustav Klimt]], and [[Adolf Loos]], with whom he had a very close relationship. He was somewhat older, in his early 30s, than the others. His oeuvre consists of short, poetic prose pieces that do not easily fit into usual formal categories. The inspiration for his trademark short prose he drew from the concise aesthetic of Charles Baudelaire's prose poems and the spatial limitations of the 'Correspondenzkarte,' the postcard, first launched and disseminated in his native Austria in 1869.<ref>{{Cite book|title=Tales of the German imagination : from the Brothers Grimm to Ingeborg Bachmann|others=Wortsman, Peter|isbn=9780141198804|location=London, England|oclc=802293695|year = 2012}}</ref>

He became well known throughout Vienna after the publication of a book of his fragmentary observations of women and children in everyday street activities. Because most of his literary work was written while he frequented various Viennese bars and [[Viennese coffee house|coffeehouses]], Altenberg is sometimes referred to as a cabaret or coffee house poet. His favorite coffeehouse was the [[Café Central]], to which he even had his mail delivered.

Altenberg's detractors said he was a drug addict and a [[Promiscuity#Male promiscuity|womanizer]]. Altenberg was also rumored to have problems with [[alcoholism]] and [[mental illness]]. Yet his admirers considered him to be a highly creative individual with a great love for the [[aesthetic]], for nature, and for young girls. He is certainly known to have had a large collection of photographs and drawings of young girls, and those who knew him well (such as the daughter of his publisher) wrote of his adoration of young girls.

Altenberg was never a commercially successful writer, but he did enjoy most if not all of the benefits of fame in his lifetime. Altenberg was at one point nominated for the Nobel Prize.<ref>{{Cite book|title=Tales of the German imagination : from the Brothers Grimm to Ingeborg Bachmann|others=Wortsman, Peter|isbn=9780141198804|location=London, England|oclc=802293695|year = 2012}}</ref> Some of the [[aphorism|aphoristic]] poetry he wrote on the backs of postcards and scraps of paper were set to music by composer [[Alban Berg]]. In 1913, Berg's ''[[Altenberg Lieder|Five songs on picture postcard texts by Peter Altenberg]]'' were premiered in Vienna. The piece caused an uproar, and the performance had to be halted: a complete performance of the work was not given until 1952.

Altenberg, like many writers and artists, was constantly short of money, but he was adept at making friends, cultivating patrons, and convincing others to pay for his meals, his champagne, even his rent, with which he was frequently late. He repaid his debts with his talent, his wit, and his charm. Many academics consider him to have been a "bohemian's bohemian."<ref>{{cite book|last=Halevy|first=Alon Y.|title=The infinite emotions of coffee|publisher=Macchiatone Communications|location=[Mountain View, CA]|isbn=978-0984771509|pages=49|url=https://books.google.com/books?id=K2dVxAp3ulEC&q=altenberg+bohemian%27s+bohemian&pg=PA49|edition=1st|date=15 December 2011}}</ref>

[[File:Peter Altenberg Geburtshaus Wien Franzensbrückenstraße 3.jpg|thumb|Memorial for Altenberg in [[Vienna]]]]
Most of Altenberg's work is published in the German language and, outside of anthology pieces, is difficult to find. Much of it remains in university libraries or private collections. Two selections have been translated, ''Evocations of Love'' (1960) and ''Telegrams of the Soul: Selected Prose of Peter Altenberg'' (2005).

Altenberg, who never married, died on 8 January 1919, aged 59, of pneumonia.<ref name=Routledge/> He is buried at [[Zentralfriedhof|Central Cemetery]] in Vienna, Austria.