Editing Marie Bashkirtseff (section)

==Life and painting career==
[[File:Церква Різдва Іоана Предтечі, де була охрещена Марія.jpg|thumb|Church of the Nativity of St. John the Baptist, where Maria was christened]]
[[File:Konstantin Pavlovich Bashkirtseff.png|thumb|Mary's father, Konstantin Pavlovich]]
[[File:Башкирцева Марія.2.jpg|thumb|Maria Bashkirtseva in a folk costume]]
[[File:Будинок Башкірцевих у Гавронцях.jpg|thumb|The house of Bashkirtseffs in Gavrontsi]]

Bashkirtseff was born in Gavrontsi ([[Havrontsi]]) near [[Poltava]], [[Russian Empire]] (present-day [[Ukraine]]),<ref name=":1" /><ref name=":2" /><ref name=":0">{{Cite web |title=Bashkirtseva, Mariya (Ukrainian painter and sculptor, 1858-1884, active in France) |url=https://www.getty.edu/vow/ULANFullDisplay?find=bashkirtseff&role=&nation=&prev_page=1&subjectid=500014227 |access-date=2023-09-19 |website=ULAN Full Record Display (Getty Research)}}</ref> to a wealthy noble family. Her father was a local [[Marshal of Nobility (Russia)|marshal of nobility]], Konstantin Pavlovich Bashkirtsev. Her mother Maria Stepanovna Babanina (1833—1920) also belonged to [[Russian nobles]]. Her parents separated when she was 12.<ref name="eb11" /> As a result, she grew up mostly abroad, traveling with her mother throughout most of Europe, with longer spells in Germany and on the Riviera, until the family settled in Paris. Educated privately and with early musical talent, she lost her chance at a career as a singer when illness destroyed her voice. She then determined to become an artist, and she studied painting in France at the [[Tony Robert-Fleury|Robert-Fleury]] studio and at the {{Lang|fr|[[Académie Julian]]|italic=no}}.<ref>{{cite web|url=https://www.goodreads.com/author/show/519344.Marie_Bashkirtseff|title=Marie Bashkirtseff|website=goodreads.com}}</ref><ref name="eb" /><ref name="sr" />

The Académie, as one of the few establishments that accepted female students, attracted young women from all over Europe and the United States. Fellow students at the Académie included [[Anna Bilińska]] and especially [[Louise Breslau]], whom Bashkirtseff viewed as her only real rival.<ref name="sr" /> Bashkirtseff would go on to produce a remarkable, if fairly conventional, body of work in her short lifetime, exhibiting at the Paris Salon as early as 1880 and every year thereafter until her death (except 1883). In 1884, she exhibited a portrait of Paris slum children entitled ''The Meeting'' and a pastel portrait of her cousin, for which she received an honorable mention.<ref name="eb11" />

Bashkirtseff's best-known works are ''The Meeting'' (now in the [[Musée d'Orsay]], Paris) and her 1881 ''In the Studio'', a portrait of her fellow artists at work. Although a large number of Bashkirtseff's works were destroyed by the [[Nazi]]s during [[World War II]], at least 60 survive. In 2000, a U.S. touring exhibition entitled "Overcoming All the Obstacles: The Women of Academy Julian" featured works by Bashkirtseff and her schoolmates.<ref name="homage" />

[[File:Bashkirtseff - In the Studio.jpg|thumb|left|''In the Studio'' by Marie Bashkirtseff (1881), who portrays herself as the central figure seated in the foreground]]
As a painter, Bashkirtseff took her cue from her friend [[Jules Bastien-Lepage]]'s admiration for [[Realism art movement|realism]] and [[Naturalism (visual art)|naturalism]]. Where Bastien-Lepage had found his inspiration in nature, Bashkirtseff turned to the urban scene, writing, "I say nothing of the fields because Bastien-Lepage reigns over them as a sovereign; but the streets, however, have not yet had their... Bastien."<ref name="diary" /> By unlucky chance, both artists succumbed prematurely to chronic illness in the same year, and the later pages of Bashkirtseff's journal record her visits to the dying painter.

Dying of [[tuberculosis]] at the age of 25,<ref>{{cite book |editor=Phaidon |title=Great women artists |date=2019 |publisher=Phaidon Press |isbn=978-0714878775 |page=53}}</ref> Bashkirtseff lived just long enough to emerge as an intellectual in Paris in the 1880s. She wrote several articles for [[Hubertine Auclert]]'s feminist newspaper ''[[La Citoyenne]]'' in 1881 under the [[nom de plume]] "Pauline Orrel." One of her most-quoted sayings is "Let us love dogs, let us love only dogs! Men and cats are unworthy creatures."

Bashkirtseff died in Paris in 1884, and she is buried in [[Cimetière de Passy]], Paris. Her great friend [[Prince Bojidar Karageorgevitch]] was present at her deathbed. Her monument is a full-sized artist's studio that has been declared a historic monument by the government of France.{{citation needed|date=January 2018}} Marie Bashkirtseff was included in the 2018 exhibit ''Women in Paris 1850-1900''.<ref>{{cite book |last1=Madeline |first1=Laurence |title=Women artists in Paris, 1850-1900 |date=2017 |publisher=Yale University Press |isbn=978-0300223934}}</ref>