Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Luc Ferrari
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
==Biography== Ferrari was born in Paris, and was trained in music at a very young age. He studied the piano under [[Alfred Cortot]], [[musical analysis]] under [[Olivier Messiaen]], and [[Musical composition|composition]] under [[Arthur Honegger]]. His first works were freely [[atonal]]. A case of tuberculosis in his youth interrupted his career as a pianist. From then on he mostly concentrated on musical composition. During this illness he had the opportunity to become acquainted with the radio receiver, and with pioneers such as [[Arnold Schoenberg|Schönberg]], [[Alban Berg|Berg]], and [[Anton Webern|Webern]]. In 1954, Ferrari went to the United States to meet [[Edgard Varèse]], whose ''Déserts'' he had heard on the radio, and had impressed him. This seems to have had a great effect on him, with the tape part in ''Déserts'' serving as inspiration for Ferrari to use [[magnetic tape]] in his own music. In 1958 he co-founded the [[Groupe de Recherches Musicales]] with [[Pierre Schaeffer]] and [[François-Bernard Mâche]]. He taught in institutions around the world, and worked for film, theatre and radio. By the early 1960, Ferrari had begun work on his Hétérozygote, a piece for magnetic tape which uses ambient environmental sounds to suggest a dramatic narrative. The use of ambient recordings was to become a distinctive part of Ferrari's musical language. Ferrari's ''Presque rien No. 1 'Le Lever du jour au bord de la mer'' (1970) is regarded as a classic of its kind. In it, Ferrari takes a day-long recording of environmental sounds at a [[Socialist Federal Republic of Yugoslavia|Yugoslavia]]n beach and, through editing, makes a piece that lasts just twenty-one minutes. It has been seen as an affirmation of [[John Cage]]'s idea that music is always going on all around us, and if only we were to stop to listen to it, we would realise this. Ferrari continued to write purely instrumental music as well as his tape pieces. He also made a number of documentary films on contemporary composers in rehearsal, including [[Olivier Messiaen]] and [[Karlheinz Stockhausen]]. Ferrari died in [[Arezzo]], Italy on 22 August 2005, at age 76.
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Luc Ferrari
(section)
Add topic