Editing Louis Durey (section)

==Life==
Louis Durey was born in Paris, the son of a local businessman. It was not until he was nineteen years old that he chose to pursue a musical career after hearing a performance of a [[Claude Debussy]] work. As a composer, he was primarily self-taught. From the beginning, choral music was of great importance in Durey's productivity.  His ''L'Offrande Lyrique'' (1914) has been called the first piece of French [[twelve-tone music]].<ref name=all>[http://www.allmusic.com/artist/louis-durey-mn0001786203 allmusic]</ref> The first of his works to gain recognition in the music world was for a piano duet titled ''Carillons''. At a 1918 concert, this work attracted the interest of [[Maurice Ravel]], who recommended him to his publisher.

Durey communicated with his colleague, [[Darius Milhaud]], and asked him to contribute a piano piece that would bring together the six composers who, in 1920 were dubbed ''[[Les Six]]''. This joint project was ''[[L'Album des Six]]''. Despite the acclaim they received, Durey did not participate in the group's 1921 collaborative work ''[[Les mariés de la tour Eiffel]]'',<ref>See Randel and article on ''Les Six''.</ref> a decision which was a source of great irritation to [[Jean Cocteau]].

After the ''Les Six'' period, Durey continued with his career. Never feeling the need to belong to the musical establishment, he voiced his growing left-wing ideals that put him in an artistic isolation that lasted for the rest of his life.

Following the break with Cocteau, Durey withdrew to his home in [[Saint-Tropez]] in the south of France. In addition to chamber music, at Saint-Tropez he wrote his only opera, ''L'Occasion''. In 1929, he married Anne Grangeon and moved back to Paris the following year. In the mid-thirties he joined the [[French Communist Party|Communist Party]] and became active in the newly formed [[Fédération Musicale Populaire]]. When [[German military administration in occupied France during World War II|Germany occupied France]] during [[World War II]], he worked with the [[French Resistance]] as a prominent member of the [[Front National des Musiciens]] who worked to hide Jews and preserve French music under Nazi rule.<ref name=":0">{{Cite web|url=https://holocaustmusic.ort.org/resistance-and-exile/french-resistance/les-six/|title=Music and the Holocaust: Les Six|website=holocaustmusic.ort.org|access-date=2019-11-22}}</ref> He also wrote [[Anti-fascism|anti-fascist]] songs. As others, he stopped composing under Nazi rule and instead arranged and collected older French music and folk songs.<ref name=":0" />

After the war, he embraced hard-line [[communism]] and his uncompromising political attitudes hindered his career. Needing to earn a living, in 1950 he accepted the post of music critic for a communist newspaper in Paris.

In the late 1950s and early 1960s, he continued to compose but these works did not reach widespread popularity. His work on Vietnamese themes in the 1960s, based on his disgust with the turmoil France had left in [[Vietnam]] (formerly [[French Indochina]]) and the ensuing [[Vietnam War]], were atypical in Paris of the time. He set poems by [[Ho Chi Minh]] and [[Mao Zedong]]. Other works include a string quartet,<ref>'[https://musicwebinternational.com/2025/03/quartets-through-a-time-of-change-first-hand-records/ Quartets Through a Time of Change]', First Hand Records FHR174 (2025)</ref> a flute sonatina, and ''Images à Crusoe''.<ref name=all/>

Louis Durey died at Saint-Tropez in 1979.<ref name="randel"/>