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==1917 photographs== [[File:CottingleyBeck.jpg|thumb|upright|alt=Photo|Cottingley Beck, where Frances and Elsie claimed to have seen the fairies]] In mid-1917 nine-year-old Frances Griffiths and her mother{{snd}}both newly arrived in England from South Africa{{snd}}were staying with Frances's aunt, Elsie Wright's mother, Polly, in the village of [[Cottingley, Bradford|Cottingley]] in West Yorkshire; Elsie was then 16 years old. The two girls often played together beside the [[beck (stream)|beck]] at the bottom of the garden, much to their mothers' annoyance, because they frequently came back with wet feet and clothes. Frances and Elsie said they only went to the beck to see the fairies, and to prove it, Elsie borrowed her father's camera, a Midg [[Film format#Still photography film formats|quarter-plate]]. The girls returned about 30 minutes later, "triumphant".{{sfnp|Magnusson|2006|pp=97β98|ps=none}} Elsie's father, Arthur, was a keen amateur photographer, and had set up his own darkroom. The picture on the [[photographic plate]] he developed showed Frances behind a bush in the foreground, on which four fairies appeared to be dancing. Knowing his daughter's artistic ability, and that she had spent some time working in a photographer's studio, he dismissed the figures as cardboard cutouts. Two months later the girls borrowed his camera again, and this time returned with a photograph of Elsie sitting on the lawn holding out her hand to a {{convert|1|ft|cm|adj=on|disp=x|-tall (|)}} gnome. Exasperated by what he believed to be "nothing but a prank",{{sfnp|Magnusson|2006|p=97|ps=none}} and convinced that the girls must have tampered with his camera in some way, Arthur Wright refused to lend it to them again.{{sfnp|Prashad|2008|p=42|ps=none}} His wife Polly, however, believed the photographs to be authentic.{{sfnp|Magnusson|2006|p=97|ps=none}} {{Quote box |width=25em |align=right |quoted=true |bgcolor=#FFFFF0 |salign=left |quote=I am learning French, Geometry, Cookery and Algebra at school now. Dad came home from France the other week after being there ten months, and we all think the war will be over in a few days ... I am sending two photos, both of me, one of me in a bathing costume in our back yard, while the other is me with some fairies. Elsie took that one.|source=Letter from Frances Griffiths to a friend in South Africa{{sfnp|Prashad|2008|p=40|ps=none}}}} Towards the end of 1918, Frances sent a letter to Johanna Parvin, a friend in [[Cape Town]], South Africa, where Frances had lived for most of her life, enclosing the photograph of herself with the fairies. On the back she wrote "It is funny, I never used to see them in Africa. It must be too hot for them there."{{sfnp|Prashad|2008|p=40|ps=none}} The photographs became public in mid-1919, after Elsie's mother attended a meeting of the [[Theosophical Society]] in Bradford. The lecture that evening was on "fairy life", and at the end of the meeting Polly Wright showed the two fairy photographs taken by her daughter and niece to the speaker.<ref>{{cite web | title=Episode 229: A Glamour and a Mystery (7.28.2023) | website=Criminal | date=July 28, 2023 | url=https://thisiscriminal.com/episode-229-a-glamour-and-a-mystery-7-28-2023/ | access-date=August 3, 2023}}</ref> As a result, the photographs were displayed at the society's annual conference in [[Harrogate]], held a few months later. There they came to the attention of a leading member of the society, Edward Gardner.{{sfnp|Magnusson|2006|pp=98β99|ps=none}} One of the central [[Theosophy#Beliefs and teachings|beliefs of theosophy]] is that humanity is undergoing a cycle of evolution, towards increasing "perfection", and Gardner recognised the potential significance of the photographs for the movement: {{blockquote| the fact that two young girls had not only been able to see fairies, which others had done, but had actually for the first time ever been able to materialise them at a density sufficient for their images to be recorded on a photographic plate, meant that it was possible that the next cycle of evolution was underway.{{sfnp|Smith|1997|p=382|ps=none}}}}
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