Editing Charades (section)

==History==

===Literary charades===
[[File:Vanity Fair 538.jpg|thumb|upright|''The Triumph of [[Clytemnestra]]'']]
[[File:Vanity Fair D542.png|thumb|upright|[[Becky Sharp (character)|Becky]] as a [[Louis XIV|''Louis-Quatorze'']] [[Philomela]]]]
A '''charade''' was a form of literary [[riddle]] popularized in [[France]] in the 18th century{{sfnp|''EB''|1911}} where each syllable of the answer was described enigmatically as a separate word before the word as a whole was similarly described. The term ''charade'' was borrowed into English from French in the second half of the eighteenth century, denoting a "kind of riddle in which each syllable of a word, or a complete word or phrase, is enigmatically described or dramatically represented". 

Written forms of charade appeared in magazines and books, and on the folding fans of the [[British Regency|Regency]]. The answers were sometimes printed on the reverse of the fan, suggesting that they were a flirting device, used by a young woman to tease her beau.{{Citation needed|date=November 2008}} One charade composed by [[Jane Austen]] goes as follows:
<poem style="margin-left:2em">
When my first is a task to a young girl of spirit,
And my second confines her to finish the piece,
How hard is her fate! but how great is her merit
If by taking my whole she effects her release!<ref>Austen-Leigh, M. A. (1920). Personal Aspects of Jane Austen. E. P. Dutton. pg. 167.</ref>
</poem>
The answer is "[[Conium maculatum|hem-lock]]".

[[William Mackworth Praed]]'s poetic charades<ref>{{citation |pages=[https://archive.org/stream/poeticalworkswi00whitgoog#page/n9/mode/2up 268–310] |url=https://archive.org/stream/poeticalworkswi00whitgoog#page/n5/mode/2up |title=The Poetical Works of Winthrop Mackworth Praed, ''Vol. I'' |last=Praed |first=Winthrop Mackworth |author-link=William Mackworth Praed  |publisher=Redfield |location=New York |date=1860 }}</ref> became famous.{{sfnp|''EB''|1878}} 

Later examples omitted direct references to individual syllables, such as the following, said to be a favorite of [[Theodore Roosevelt]]:{{Citation needed|date=November 2008}}
<poem style="margin-left:2em">
I talk, but I do not speak my mind
I hear words, but I do not listen to thoughts
When I wake, all see me
When I sleep, all hear me
Many heads are on my shoulders
Many hands are at my feet
The strongest steel cannot break my visage
But the softest whisper can destroy me
The quietest whimper can be heard.
</poem>
The answer is "an actor".

In the early 20th century, the [[Encyclopædia Britannica, Eleventh Edition|11th edition]] of the ''[[Encyclopædia Britannica]]'' offered these two prose charades as "perhaps as good as could be selected":
{{quote|"My ''first'', with the most rooted antipathy to a [[French people|Frenchman]], prides himself, whenever they meet, upon sticking close to his jacket; my ''second'' has many virtues, nor is its least that it gives its name to my first; my ''whole'' may I never catch!"{{sfnp|''EB''|1911}}
}}
and
{{quote|"My ''first'' is company; my ''second'' shuns company; my ''third'' collects company; and my ''whole'' amuses company."{{sfnp|''EB''|1911}}
}}
with the answers being [[wiktionary:tartar|tartar]] and [[Riddle|conundrum]].{{sfnp|''EB''|1911}}

===Acted charades===
In the early 19th century, the French began performing "acting"{{sfnp|''EB''|1878}} or "acted charades"{{sfnp|''EB''|1911}}—with the written description replaced by dramatic performances as a [[parlor game]]—and this was brought over to Britain by the English aristocracy. Thus the term gradually became more popularly used to refer to acted charades, examples of which are described in [[William Thackeray]]'s ''[[Vanity Fair (novel)|Vanity Fair]]'' and in [[Charlotte Brontë]]'s ''[[Jane Eyre]]''.<ref>"charade, n." OED Online. Oxford University Press, June 2015. Web. 1 September 2015.</ref>

Thackeray snarked that charades were enjoyed for "enabling the many ladies amongst us who had beauty to display their charms, and the fewer number who had cleverness, to exhibit their wit".<ref name=vf/> In his ''[[Vanity Fair (novel)|Vanity Fair]]'', the height of [[Rebecca Sharp (character)|Rebecca Sharp]]'s social success is brought on by her performances of acting charades before the [[George IV|Prince Regent]]. The first scene—"first two syllables"—displays a [[pasha|Turkish lord]] dealing with a [[slavery in the Ottoman Empire|slaver]] and his [[odalisque]] before being [[garrote]]d by the [[sultan of the Ottoman Empire|sultan]]'s [[Kizlar Aga|chief black eunuch]]; the second—"last two syllables"—finds a Turk, his consort, and his [[slavery in the Ottoman Empire|black slave]] [[Salah|pray]]ing at sunrise when an enormous [[ancient Egypt|Egyptian]] head enters and [[Colossus of Memnon|begins singing]]. The answer—[[Agamemnon]]—is then acted out by Becky's husband, while she makes her (first) appearance as [[Clytemnestra]]. After refreshments, another round begins, partially in [[pantomime]]: the first scene shows a household [[yawn]]ingly finishing a game of [[cribbage]] and [[Night#Effects on life|preparing for bed]]; the second opens on the household bustling with activity as daybreak prompts bells ringing, arguments over receipts, collection of the [[chamber pot]]s, calls for carriages, and [[inn|greetings to new guests]]; the third closes with a ship's crew and passengers tossed about by a storm with [[gale|strong winds]]. The answer—[[nightingale]]—is then (somewhat mistakenly){{efn|In [[Greek myth|Greek]] and [[Roman myth|Roman]] accounts of the story, it is [[Procne]] and not [[Philomela]] who becomes the [[nightingale]]. A mistaken etymology and [[Ovid]]'s ambiguity on the point seem responsible for having confused the two sisters.<ref>{{citation |title=Gender, Desire, and Sexuality in T.S. Eliot |editor=Cassandra Laity |editor2=Nancy K. Gish |page=[https://books.google.com/books?id=KlLj6E-4KrsC&pg=PA149 149] |location=[[Cambridge, England|Cambridge]] |publisher=Cambridge University Press |date=2004 |contribution=Mimetic Desire and the Return to Origins in ''The Waste Land'' |contribution-url=https://books.google.com/books?id=KlLj6E-4KrsC&pg=PA130  |last=Brooker |first=Jewel Spears }}</ref>}} acted out by Becky in the role of a singing French marquise, recalling both [[Louis Lacoste (composer)|Lacoste]]'s 1705 [[Tragédie en musique|tragic opera]] ''[[Philomèle]]'' and [[Marquise de Maintenon|an ''arriviste'' lover and wife]] of [[Louis XIV]].<ref name=vf>{{citation |last=Thackeray |first=William Makepeace |author-link=William Makepeace Thackeray |title=[[:s:Vanity Fair (Thackeray)|Vanity Fair]] |at=[[:s:Vanity Fair (Thackeray)/Chapter 51|Ch. LI]] |date=1848 }}</ref> Apart from its importance in the book, the scenes were subsequently considered models of the genre.{{sfnp|''EB''|1878}}

By the time of the [[First World War]], "acting charades" had become the most popular form{{sfnp|''EB''|1911}} and, as written charades were forgotten, it adopted its present, terser name.<ref name=oed/> Thackeray's scenes—even those said to be "in pantomime"—included dialogue from the actors<ref name=vf/> but truly "dumb" or "[[mime]] charades" gradually became more popular as well and similarly dropped their descriptive adjectives.<ref name=oed/> The amateurish acting involved in charades led to the word's use to describe any obvious or inept deception, but over time "a charade" became used more broadly for any put-on (even highly competent and successful ones) and its original association with the parlor game has largely been lost.<ref name=oed/>

The acted form of charades has been repeatedly made into [[television]] [[game show]]s, including the [[American television|American]] ''[[Play the Game (American game show)|Play the Game]]'', ''[[Paramount Television Network#Programs|Movietown, RSVP]]'', ''[[Pantomime Quiz]]'', ''Stump the Stars'', ''[[Celebrity Charades]]'', ''[[Showoffs]]'' and ''[[Body Language (game show)|Body Language]]''; the [[British television|British]] ''[[Give Us a Clue]]''; the [[Canadian television|Canadian]] ''[[Party Game (game show)|Party Game]]'' and ''Acting Crazy''; and the [[Australian television|Australian]] ''[[The Celebrity Game|Celebrity Game]]''. On [[British radio|Britain]]'s [[BBC Radio 4]], ''[[I'm Sorry I Haven't a Clue]]'' performs a variant of the old written and spoken form of the game as ''[[Sound Charades]]''.

In the 1939 movie ''[[The Mystery of Mr. Wong]]'', the game is called "Indications".