Editing Cavalier poet (section)

== Characteristics ==
Cavalier poetry is different from traditional poetry in its subject matter. Instead of tackling issues like religion, philosophy, and the arts, cavalier poetry aims to express the joy and simple gratification of celebratory things much livelier than the traditional works of their predecessors. The intent of their works was often to promote the crown (particularly Charles I), and cavalier poets spoke outwardly against the Roundheads who supported the rebellion of the [[Rump Parliament]] against the crown. Most cavalier works had allegorical and/or classical references. They drew upon the knowledge of [[Horace]], [[Cicero]], and [[Ovid]].<ref>{{cite journal|last=Clayton|first=Thomas|title=The Cavalier Mode from Jonson to Cotton by Earl Miner|journal=Renaissance Quarterly|date=Spring 1974|volume=27|issue=1|pages=111|jstor=2859327|doi=10.2307/2859327|s2cid=199289537 }}</ref> By using these resources they were able to produce poetry that impressed King Charles I. The Cavalier Poets strove to create poetry where both pleasure and virtue thrived. They were rich in reference to the ancients as well as pleasing. Commonly held traits certainly exist in cavalier poetry in that most poems "celebrate beauty, love, nature, sensuality, drinking, good fellowship, honor, and social life."<ref>{{cite book|title=The Broadview Anthology of Literature: The Renaissance and The Early Seventeenth Century|year=2006|publisher=Broadview Press|location=Canada|isbn=1-55111-610-3|page=790}}</ref> In many ways, this poetry embodies an attitude that mirrors "carpe diem." Cavalier poets certainly wrote to promote Royalist principles in favor of the crown, but their themes ran deeper than that. Cavalier poets wrote in a way that promoted seizing the day and the opportunities presented to them and their kinsmen. They wanted to revel in society and come to be the best that they possibly could within the bounds of that society. This endorsement of living life to the fullest, for Cavalier writers, often included gaining material wealth and having sex with women. These themes contributed to the triumphant and boisterous tone and attitude of the poetry. Platonic Love was also another characteristic of cavalier poetry, where the man would show his divine love to a woman, where she would be worshipped as a creature of perfection.<ref>{{cite journal|jstor=77551|last=Larsen|first=Eric|title=On the Theory of the Excitation of Hydrogen by Electron Impact |journal=Art Journal|date=Spring 1972|volume=31|issue=3|pages=497–506 }}; [https://www.telegraph.co.uk/culture/books/8328843/Reprobates-The-Cavaliers-of-the-English-Civil-War-by-John-Stubbs-review.html Reprobates: The Cavaliers of the English Civil War, John Stubbs review]</ref> As such it was common to hear praise of womanly virtues as though they were divine.

Cavalier poetry is closely linked to the Royalist cause in that the main intent of their poetry was to glorify the crown. In this way, cavalier poetry is often grouped in a political category of poetry. While most of the poetry written by these cavalier poets does advocate the cause of the monarchy in some way, not all of the writers we now consider cavalier poets knew that they fell under this categorization during their lifetime. Cavalier poetry began to be recognized as its own genre with the beginning of the English Civil War in 1642 when men began to write in defense of the crown. However, authors like Thomas Carew and Sir John Suckling died years before the war began, yet are still classified as cavalier poets for the political nature of their poetry. Once the conflict began between the monarchy and the rebellious parliament, the content of the poetry became much more specifically aimed at upholding Royalist ideals. These men were considered by many to write in a nostalgic tone in that their work promoted the principles and practices of the monarchy that was under philosophical and, eventually, literal attack.

There was also a celebration of the monarchy of Charles I among the cavalier poets. Jonson in particular celebrated ideas of common sense, duty, moderation, propriety, and elegance (which he also practiced).<ref>{{cite journal|last=Clayton|first=Thomas|title=The Cavalier Mood from Jonson to Cotton by Earl Miner|journal=Renaissance Quarterly|date=Spring 1974|volume=27|issue=1|pages=111|jstor=2859327|doi=10.2307/2859327|s2cid=199289537 }}</ref> These ideas did not belong to the ancients but rather belonged to the court and to England. In this way although the cavaliers embraced the old ways of thinking from the ancients, they also incorporated their own ideas and thoughts into their poetry. This made their writings applicable for the era they were writing in and also portrayed the greatness of the crown and of Charles.

Other characteristics of cavalier poetry were the metaphor and fantasy.